There was a lot of drinking, smoking, and partying, and it was so because it was a wonderful relief to deviate from those years of voluminous Victorian-style clothes, petticoats, and ‘rib-cracking’ corsets.
|Fashion and Style of the 1920s|
The famous fashion designers of the era include:
- Gabrielle "Coco" Chanel
- Elsa Schiaparelli
- Jeanne Lanvin
- Paul Poiret
- Florrie Westwood
- Madeleine Vionnet
- Jean Patou
Gabrielle ‘Coco’ Chanel
Coco Chanel was and still remains one of the biggest names in the fashion and beauty industry. After being unsuccessful in finding work as a singer, she finally went into the fashion industry by opening a boutique called ‘Chanel Modes, in Paris.
Coco soon became a famed fashion designer as she revolutionised the way women wore clothes, paving a new way for the fashion brand, she, being a fashion icon herself. Her simple but elegant styles changed the course of fashion history.
|Gabrielle 'Coco' Chanel|
Trousers for women – Her choice to wear sailor’s pants made the style spread so quickly, with her die-hard fans emulating her almost instantly.
Little black dress (LBD) – Most women associate the little black dress with Audrey Hepburn because she wore it in the famous movie Breakfast at Tiffany’s. However, it was first designed by Coco Chanel in 1926. A calf-length simple black sheath, it was labelled “a frock that all the world would wear”. The style has become a wardrobe essential for every woman ever since.
Suits for women – She created iconic suits for women, being inspired by menswear; specifically men’s suits. Jackets were collar-less with fitted sleeves, embellished buttons, and were cut stylishly boxy with an accompanying skirt that was slim-cut and trim. Chanel suits were very popular among famous celebrities like Grace Kelly and Audrey Hepburn.
Quilt stitched handbags and ballet flats – Not unlike the ballet flats of today, one of her popular styles in footwear are the two-toned ballet style shoes and the quilted bags with chain straps that both continue to remain a staple in the fashion scene of today.
Coco Chanel was known to favour mostly black and white colour combinations, especially stripes. Till date, some fashion designers of contemporary labels continue to introduce replications of her creations, fashion season after season.
She was an Italian fashion designer and a great rival of Coco Chanel. Regarded as one of the most prominent figures in the fashion scene between both World Wars, Schiaparelli's creations were influenced by surrealists like Salvador Dalí (a skilled draftsman and prominent Spanish painter), and Jean Cocteau (a French writer, filmmaker, designer, artist, and playwright).
The wrap dress – Inspired by aprons, the design of the wrap dress was made to flatter the female silhouette. Originally conceived as women’s beachwear, the dress was popular as a design for everyday easy-to-wear clothing.
The divided skirt – This style was really a forerunner of women shorts and it shocked the tennis world when worn by Lili de Alvarez at Wimbledon in 1931.
2-Piece evening wear - Evening gowns with matching jackets.
Speakeasy Soiree dress – Popular during the 20s to the 30s Prohibition era in the United States, the speakeasy dress was designed with a hidden pocket that was meant for a flask to conceal alcoholic beverages.
Clothing with visible zippers - Zippers (zips) was a key feature of her fashion designs. They were made of some form of plastic, bold and chunky, visibly clasping dress necklines and running down sleeves, dresses, and even skirts. She designed wardrobes for a good number of movie stars including Zsa Zsa Gabor and Mae West.
Born in Paris in 1867, Jeanne Lanvin who founded the Lanvin brand, was a French Haute Couture fashion designer who was not only famous in fashion designing but was also the famous founder of Lanvin Parfums, a beauty company and perfumery. She is known to be the founder of the world’s oldest fashion house.
She started on the fashion scene by being a milliner (hat maker) but soon became a fashion designer and couturier.
Her famous designs include:
- Empire-waist chemise dresses
- Robe de Style - Bouffant style clothing for larger women (a design that became her signature piece)
Unfortunately, she didn’t have a public/limelight image like her industry rival Coco Chanel who self-promoted her fashion designs. Karl Elberfeld once wrote about her . . . “Her image wasn’t as strong as that of Chanel because she was a nice old lady and not a fashion plate”.
The House of Lanvin is still very much alive today, going from strength to strength. Indeed, a wonderful legacy for a talented fashion designer.
Probably the most fashion conscious of the early 20th Century fashion designers, Paul Poiret was particularly noted for his neoclassic and ‘oriental-ish’ creations with clothing designs that are cut along straight lines and rectangular motifs. The structured cuts represented a beginning of ‘modern fashion’, something quite welcomed, especially after the era of women clothing that always required wearing voluminous dresses with constricting corsets.
He was actually more popular in the first decade of the 1900s, more than he was in the 1920s when his popularity started to wane.
Poiret’s flamboyant designs which generally came in in brilliant colours – shades of red, blue, green, purple, and blue include:
- Lampshade tunics
- Hobble skirts
- Harem pants
- Draped evening gowns
- The empire style
Relatively unknown but very talented, Florrie Westwood is who we can describe today as a fashion illustrator. As a London fashion designer who was very active in the early 1900s, not much is known about her apart from the fact that she creates wonderful designs through her drawings which were mainly elegant high-end conservative styles.
Westwood’s fashion drawing illustrations emphasised the new fashion of the time . . . the linear silhouette and ankle length clothing. The coat designs also showed the new shape, a higher neck covering and greater shoulder coverage of fur collars and cuffs.
There were hundreds of now-anonymous dressmakers and designers like Florrie Westwood who existed in towns and cities across the country until the mid-20th-century when mass-produced ready-made (ready-to-wear) clothing came to dominate the fashion scene.
Though Madeleine Vionnet was a popular name in the 1920s fashion industry, however, unlike Coco Chanel who is still popular until this day, she is no longer a household name.
|Illustration created by Viryabo@Polyvore|
Her signature creations showed a woman’s natural silhouette, unlike earlier fashion styles that rather than flatter a woman’s body distorted her shape.
Her elegant clothing designs which literally floated freely around the body was popularised by the:
Grecian style dresses – Popularly referred to as the "Queen of the bias cut" Vionnet is best-known today for her elegant Greek style dresses (she was inspired by ancient Greek art) and for popularising the bias cut.
As an expert couturier, Madeleine Vionnet designed her dresses with the bias cut, aiming to create sleek, body-flattering, body-skimming apparel that eventually revolutionised women's fashion, thus careening her to the top of the fashion world and making her one of the most famous fashion designers of the 1920s and 1930s.
She is credited with inspiring a number of today’s fashion designers with this unique design feature.
She hardly changed her designs basically throughout her career as a fashion designer but by the 30s, the last decade of her profession, her dress designs became a little more closely fitted to a woman’s body.
Vionnet passed on in 1975
Patou was a perfumer, a debauchee, and fashion designer. He is recognised as the one who invented the "designer tie" in the 1920s and his famous cubist cardigans with matching hats, scarves and gloves. These two creations were some of the most popular trends of the 1920s.
The designer tie is simply men ties made in the same fabric as the women's dress collection. The style is still prominent among modern fashion designers like Timmy Everest (a bespoke tailor and designer from Wales), Paul Smith (a famous British fashion designer), and Louis Féraud (a French artist and fashion designer).
Patou marketed his clothes mostly to the rich but with the stock market crash affecting the purses of the wealthy more than most; the House of Patou continued to survive through its perfume production.
He was the innovator of ready-to-wear clothing which marked a new direction in 1920s couture and the concept of off-the-rack designer wear that we know today. His other creations include:
- Knitted swimwear
- Sportswear – In comfortable yet stylish designs that personified the fashionable "new woman” . . . those who wanted to look stylishly sporty, even if they did not participate in any form of exercise.
- Tennis skirt – Below the knee and knee-length skirts. He, notably, designed the then-daring sleeveless and knee-length cut tennis wear for Suzanne Lenglen, a famous French tennis player who won 31 Championship titles between 1914 and 1926
- Cubist-inspired jumpers - An ultra-modern motif that was also applied to matching skirts, bags, and bathing costumes
- Robes d’intérieur – Negligées
- The triangular sports scarf – An accessory worn knotted at one shoulder
- Bell-skirted, high-waist evening dresses - In 1929, he raised the waistline of the skirt and brought it back to its natural hemline, a style that Coco Chanel immediately followed)
In the mid-20s, Jean Patou started a perfume business which is still thriving and well-known even to this day, eighty years after his demise in 1936. His early death made him one of the most undervalued but famous fashion designers of all time.
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